扫黑风暴15集
9 年前
搜影视
【STAFF】 原作：天野こずえ[ARIA] 监督/系列构成：佐藤顺一助监督：竹下健一总作画监督：熊谷哲矢角色设计：古贺诚脚本：吉田玲子美术设定：西川淳一郎美术监督：吉川洋史制作：内田哲夫动画制作：ハルフィルムメーカー 【CAST】 水无灯里：叶月絵理乃 ?#123|华：斎藤千和 アリス：広桥凉 アリシア：大原さやか アリア社长：西村ちなみ 晃：皆川纯子 アテナ：川上とも子 アイ：水桥かおり。《天上的太阳》讲述了孓然一身进京的单纯的女人，克服无数的逆境，完成自己真正的梦想和爱情的故事。。The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich Böll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert Fähmel tells a young hotel bellhop of persecutions under the Third Reich| his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation Fähmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands.。
