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阿凡提的猎人邻居养了一只坏脾气的小狗，小狗的食物只有一根没有一点儿肉星的骨棒。每次阿凡提出门它就会狂追不止，阿凡提只好躲在家里等着猎人带着小狗出门了才敢出来。一天，阿凡提在林中野餐。不巧撞见来寻回猎人帽子的小狗，只好眼巴巴地看着美味的鸡腿被小狗抢走。小狗饱餐之后忘了替猪人寻回帽子这回事儿，摇着尾巴走掉了。。Herbert Vesely was one of the promises for a new German cinema already in the 50's, but after the 60's his star was already dimmed. He made a small number of films in the 70's and 80's, all non too good. This biography of Egon Schiele, one of the most important Austrian artists, is an example of the pretensions and emptiness of a Vesely-film of later date. The life of Schiele is presented here as a puzzle| well, Vesely thinks that Schiele's life was a puzzle: the core of the story is centered around the famous 1912 pornography trial and using this as base the film shows fragments of past and future. The problem is that it never becomes a unity and that the order of scenes and sequences seems to be at random: a cut-and-paste job that could have had any other result. Indeed, after seeing it twice I am almost convinced of it that a unsatisfactory linear thought-out film was changed into the puzzle in the editing room. Egon Schiele was an enigmatic man, but not a total puzzle, and this film does not bring him any closer. The films also fails in conveying the eroticism and meaning of the Schiele's paintings: the camera watches and glides over the models without any understanding of Schiele's intentions, we only see beautiful naked bodies. If interested in Schiele, you better buy a book with his works in stead.。