一次意外,葉素娥(梁舒涵)和黃韋綸(黃靖倫)上演靈魂交換戲碼,不知所措的兩人一直找不到恢復原狀的方法,回到宮廟求助王爺,王爺告訴兩人必須完成讓17連兩對情侶順利結婚,但面對17連的幾對情侶各有狀況,關係都處在不穩定的狀態,面對新的挑戰,素娥該如何是好?。讲述了“讨厌夏天”的女人和“每天都在等待夏天”的男人时隔两年重逢的爱情故事。。The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich Böll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert Fähmel tells a young hotel bellhop of persecutions under the Third Reich| his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation Fähmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands.。