我是个生吃猪肝后失去意识的不起眼阿宅。本来想说自己转生到异世界,却只是变成一只猪!我全身是泥巴躺在猪圈,拯救我的是像天使一样温柔的美少女婕丝。 「哼齁!」「那个,你不用勉强说话也没关系。因为我……明白你想说什么。」她舍身照顾变成猪的我,据说她是能读懂人心的「耶稣玛」这个种族。「糟了,这样我有如猪一般的欲望不就表露无遗了吗!!」在梅斯特利亚这个剑与魔法的世界,普通的猪与能读心的美少女,打情骂俏的奇幻故事即将开始!……吗?。浙江省德清县东苕溪流域,接连发现规模庞大的青瓷窑址,经过科学的比对和测算,发现德清县战国窑址的产品质量已经非常之高,甚至已经非常接近成熟青瓷,却比学术界公认的瓷源——东汉末年小仙坛窑址,整整早了六百余年,几乎可以称之为中国的瓷器源头。随着那段纷争的吴越历史再见天日,瓷器,古代越人的伟大发明,神秘而骄傲的东方瑰宝,它的隐秘历史也将慢慢揭开。。Eburi is a 36 year-old man. Nothing enthuses him any more. While being drunk, he promises to contribute a story to a magazine. When he sobers down, he decides to write about the life of a salaried employee like himself who is very ordinary, not particularly talented.
The following is his story:
In 1949, Eburi gets married to Natsuko. His monthly salary is 8,000 yen and hers 4,000 yen. Therefore, both have to work to support themselves. Eburi has developed a habituIl tendency to pester around when he gets drunk. One year after their marriage, son Shosuke is born. In 1959, Eburi's mother dies in despair of her husband who has become listless due to the several ups and downs of gaining big profits and going bankrupt. His father is still alive and Eburi is enable to find a way to pay his father's debts. He is doubtful if he can make his wife and child happy. Nevertheless, he has somehow managed to survive so far, living in one of the houses at the employee housing quarters. He gives the title "The Elegant Life of Mr. Everyman" to his story of half novel and half essay style. When it is published, it receives the Naoki Literary Prize (the award given in memory of popular writer Naoki Sanjugo). At a party to celebrate his award, he gets drunk and pesters around.
Notes
The film is based on a novel written in the style of an essay under the same title by Yamaguchi Hitomi, depicting everyday life of a man categorized as "During-the-war Generation" who spent school days during the war and get married to start new life in the struggling post-war era. "Everyman" in the title means an average salaried employee who makes up an overwhelming majority of the city population in Japan, and "The Elegant Life" indicates sarcasm on betterment of the standard of living of ordinary salaried employees accompanied with Japan's economic growth after only a decade from the destroyed post-war period. As depicted in the film, the author Yamaguchi Hitomi was awarded the Naoki Literature Prize for this story. When he established himself well enough to become independent, he quit working as a salaried employee. Director Okamoto Kihachi and the leading actor Kobayashi Keiju belong to the same generation as the author. Exploiting innovative effects such as inserting animation sequences, the film humorously presents compassion of a middle-aged salaried employee. Kobayashi Keiju, who was originally noted for his excellent portrayal of salaried employee, won the best leading actor award of the Mainichi Film Contest for his superb performance in this picture.。