苏紫紫艺术照

叶疏桐跟唐砚在唐奶奶的强迫下，被迫绑定结婚。叶疏桐为了在阴暗残暴的唐砚手下活命，装作很喜欢他的样子。叶疏桐很清醒，知道唐家就是为了孩子。一面讨好唐砚，一面搞事业赚钱，好赎回叶家旧物。。This very Kafka-esque film is Keaton's response to the Fatty Arbuckle scandal.[citation needed] Even though the central character's intentions are good, he cannot win, no matter how inventively he tries. He gets into various scraps with police officers throughout the film. Eventually, he unwittingly throws a bomb into a police parade and ends up being chased by a horde of cops. At the end of the film, Keaton's character locks up the cops in the police station. However, the girl he is trying to woo disapproves of his behavior and gives him the cold shoulder. Therefore, he unlocks the police station and is immediately pulled in by the cops. The film ends with the title "The End" written on a tombstone with Keaton's pork pie hat propped on it. One of Keaton's most iconic and brilliantly-constructed short films, Cops was deemed "culturally, historically, or aesthetically significant" by the United States Library of Congress and selected for preservation in their National Film Registry in 1997.。